Hail To The Queen

cerastes:

cerastes:
Taking the overall narrative and worldbuilding into account, I believe the most effective aspect of Arknights’ narrative is that they managed to make Terra feel like a breathing, living world and setting instead of a vehicle for the point-of-view character to exist in and act upon. This is specially remarkable for a mobile gacha game, as settings in these tend to be exactly that sort of vehicle instead of world that give any hints of existing when outside the player’s immediately vision. The way I like to think about it is, “if a tree fell somewhere in this setting while my intended point-of-view or self-insert character isn’t there to see it, did it make a sound?”. In pretty much every game of this sort that isn’t Arknights, Girls’ Frontline and SIGH Epic Seven (credit where it’s due), the answer feels like a yes to me, whereas in every other, it feels like a no, if you know what I mean.
This is intrinsically tied to the cast of characters: It is an inevitability that games where a guiding principle is to release an immense number of characters throughout its lifetime will have characters that will never have any relevance whatsoever besides existing as a minor piece in the world, and Arknights is not immune to this. Even other works of a different base nature and with a much smaller casts will be victims to this: In Trails of Cold Steel, for example, you have a pretty big cast of playable characters, some of which are very well developed and have a lot of screentime and development, and others who are Gaius Worzel. However, this leads to two aspects of Arknights as a narrative and as a game telling a story and fleshing out a world that I appreciate:
The first is that those characters that do get used, are for the overwhelming majority fun and interesting to see and accompany throughout their narrative, and rarely for me, I include the usual point-of-view character in this, Doctor. I tend to have a pretty big dislike, if not disdain, for characters you’re meant to self-insert into, I sincerely cannot stand them. Doctor definitely has a big of a self-insert nature to them, but there’s also a lot of the Doctor that is actually pre-established, such as them being a weirdo, tending to be very effective but also causing troublesome aftermaths that others then have to clean up, and being particularly good at bonding with assassins and underworld types, among other things. More importantly, Doctor is not present in most side-stories. This is fantastic and leads to the second aspect I appreciate.
This second aspect is that the cast has legs to stand on without needing the protagonist or POV character. You’d think this is a problem mostly limited to gacha games due to their usually flimsy narratives and structures, right? Except, this is actually a huge problem in pretty much every corner of narrative art! I can think of countless comics, manga, cartoons, anime, light novels, novels, and much more, eastern and western, that just tend to have worlds and casts that center entirely around the protagonist, for the protagonist. Whether it be a US author writing out their post-apocalyptic hoarder fantasy or a Japanese author detailing the trials and tribulations of a relatable nobody that a myriad of girls want to have sex with, and even some other pieces of art perhaps not so comically easy to make fun of, it’s a consistent aspect of them that the protagonist is the center of the universe, both in terms of events and what the rest of cast thinks about, talks about, and takes action upon. Obviously, this results, in my opinion, in weak worlds and weak casts that have no legs to stand on. I appreciate that even without Doctor around, Arknights does a good job of having protagonists of their own little stories in the side stories: Olivia Silence is a joy to follow when she takes the lead in a Rhine Lab story, Kroos has been one of my favorite characters to be able to experience events through with the Sui stories, Skadi and the Abyssal Hunters are exciting to watch in Abyssal Hunter stories, and the latest event as of the writing of this post filled me inspiration, seeing Reed star in a character piece that tells us more about someone so immensely reticent to open up. It’s by having interesting world events occurring throughout Terra that don’t have the input of Doctor, and thus lets us see more and more of this huge cast of characters taking the lead that I think is a fascinating experience for me as a reader that keeps things fresh. It’s even allowed me to come to appreciate characters I initially didn’t care about, such as Bagpipe and Magallan, and see, in most games of this nature, if I don’t care about a character frame one, it’s probably going to stay that way because, well, if I didn’t care about what their limited assortment of pre-cooked lines had to sell me on, then I’m likely not going to care about that character likely not showing me a new aspect of themselves impactful enough to change my mind in an event they’ll likely just be an accessory to.
It’s upon this base that I think Arknights stays interesting and fresh: A solid foundation that I can agree with and that keeps things dynamic and interesting. Specific events and story beats that I think are interesting are a natural result of these baseline aspects, but it all traces back to the cradle, to these baseline aspects that facilitate those cool narratives in the first place.
LMAO I’m so distantly uncaring about power level stuff in a vacuum that I absolutely read this as “greatest/most impressive feats of strength in Arknights’s story, as in, things the story has done right and has impressed you from a narrative standpoint” OOPS. I stand by my words, however.
I suppose a quick answer would be the fact that Irene, a regular ass Terran with a lot of training both Martial and Arts but otherwise completely regular, can contend with enemies that the Abyssal Hunters and their absurd power level contend with. Also the fact that Maria Nearl, who is a very inexperienced fighter and who is weak compared to most everyone she’s fought, managed to clinch out victories anyways through sheer gumption and willpower despite getting the shit beat out of her.
I don’t really care about big explosions or #numbers or otherwise shows of power in a vacuum, what makes power interesting and cool in a narrative is always relative to the heft it has in its context, in my opinion, Rosmontis cutting a building in half is whatever. Maria overcoming getting the tar beat out of her to still come out on top and defeat superior opponents gives me life.

God-tier question

The Loyal Friends are marching on D.C.